Showing posts with label Action Movie. Show all posts
Showing posts with label Action Movie. Show all posts

Tuesday, August 31, 2010

FALL MOVIE PREVIEW

LOS ANGELES (AP)—Hollywood aims to help you escape from all that lousy economic news in the real world this fall, with a lineup heavy on fun and fantasy.

But Oliver Stone and Michael Douglas won’t let audiences completely off the hook.
They’re putting Gordon Gekko, poster boy for greed a generation ago, back into theaters to remind fans about the sharks that got us into this mess.
Stone’s “Wall Street: Money Never Sleeps” — a followup to the 1987 hit that won Douglas the best-actor Academy Award — picks up with ex-con Gekko broke, barred from the stock market, alienated from his family and trying to find a place for himself in 2008 as the global economy races toward chaos.
“You’re in the joint for eight years, coming back without your fortune and the ability to trade. He’s estranged from his daughter, he’s lost a son while he’s in prison,” Douglas said. “Initially, Gordon’s more vulnerable.”
The key word is initially. Gekko still has plenty of tricks up his sleeve.
The “Wall Street” sequel is among September and October releases arriving as a prelude to the big holiday season, whose heavy-hitters include the latest in the “Harry Potter,” “Chronicles of Narnia” and “Meet the Parents” franchises.
Here’s a look at highlights among films debuting in early fall:
FAMILY STUFF

Zack Snyder (“300″) directs the animated adventure “Legend of the Guardians: The Owls of Ga’Hoole,” based on Kathryn Lasky’s children’s books about owls on a mythic quest against evil.
The animated comedy “Alpha and Omega” features the voices of Justin Long and Hayden Panettiere in a tale of two wolves on a journey home after park rangers move them halfway across country.
“Secretariat” gives wholesome treatment to the story of the 1973 Triple Crown winner, with Diane Lane as the housewife who takes over her ailing father’s stables and guides the horse to triumph.
Lane was 8 years old at the time and traveling outside the United States with a theater company, yet she recalls the story of Secretariat gripping people around the world.
“The export of Secretariat to the rest of the world, coming from the American news wire, was really something. It was a great sigh of relief compared to all the other offerings we brought to the global news at that time,” Lane said. “I had such a crush on Secretariat as a little girl. He was like Pegasus to me at the time. I’ve always had a crush on that species. There’s something about horses and girls.”
FUNNY STUFF

Kristen Bell, Jamie Lee Curtis and Sigourney Weaver star in “You Again,” a comedy about a woman and her mother coping with their old high school rivals at a family wedding.
Other comic tales include: “It’s Kind of a Funny Story,” about a stressed teen (Keir Gilchrist) who finds a mentor (Zach Galifianakis) at a mental clinic; Katherine Heigl and Josh Duhamel as a reluctant pair forced to care for their orphaned goddaughter in the romance “Life as We Know It;” “Easy A,” a comic twist on “The Scarlet Letter,” with Emma Stone as a teen turning a rumor about losing her virginity to her own advantage; and Stephen Frears’ “Tamara Drewe,” about a former ugly ducking (Gemma Arterton) who returns to her British hometown a striking beauty.
SERIOUS STUFF

The sober British drama “Never Let Me Go” reunites Keira Knightley with close pal Carey Mulligan, who got her start with a small part in Knightley’s “Pride & Prejudice.”
“My first job was with Keira when I was 18, and she was the star of the movie. It’s really amazing that I get to play alongside her now in a kind of more level way,” said Mulligan, who also co-stars in the “Wall Street” sequel.
“Never Let Me Go” features Mulligan, Knightley and Andrew Garfield (recently cast in the title role of the next “Spider-Man” movie) as three boarding school friends raised for a stark destiny in an alternate-reality Britain.
Among other dramatic offerings: David Fincher’s “The Social Network,” featuring Jesse Eisenberg and Justin Timberlake in a drama about the founders of Facebook; Hilary Swank in “Conviction,” the story of a woman who embarks on an 18-year crusade to clear her brother (Sam Rockwell) of murder; and Woody Allen’s latest mix of comedy and drama, “You Will Meet a Tall Dark Stranger,” with Naomi Watts, Anthony Hopkins, Gemma Jones, Josh Brolin, Antonio Banderas and Freida Pinto as Londoners struggling with old and new relationships.
Matt Damon and director Clint Eastwood, who collaborated on last year’s “Invictus,” reunite for “Hereafter,” a drama about a Frenchwoman, a British boy and an American man with unusual connections to death whose lives gradually intersect.
Damon said the film seeks answers about the most serious question — is there an afterlife waiting for people when they die?
“I have to believe there is. I guess I choose to believe there is,” Damon said. “If I’m wrong and the light’s just going to go out, then I’ll be none the wiser. But it seems like a pretty cruel twist of fate if it’s this and only this. I like to believe there’s a bigger point.”
SCARY STUFF

Three horror franchises return: “Paranormal Activity 2,” a followup to last year’s supernatural sensation; “Saw 3 D,” with survivors of diabolical killer Jigsaw finding new terror as they seek solace from a self-help guru; and “Resident Evil: Afterlife,” with Milla Jovovich back on the job killing undead zombies.
Hollywood’s love affair with vampires continues with “Let Me In,” adapted from the best-seller “Let the Right One In,” about the friendship between a bullied boy (Kodi Smit-McPhee) and a young bloodsucker (Chloe Moretz).
Other frightening tales include “Buried,” with Ryan Reynolds as an American contract driver in Iraq who wakes up buried alive in a coffin; “My Soul to Take,” Wes Craven’s tale of a serial killer who may have returned from the dead; and “Devil,” about a group of people beset by supernatural terror after they’re trapped in an elevator.
MONEY STUFF

Ben Affleck performs in a couple of money-related dramas. In “The Company Men,” Affleck stars alongside Tommy Lee Jones, Chris Cooper and Kevin Costner in a story of executives coping with hard times after their downsizing company lets them go.
Affleck directs and stars in “The Town,” playing a bank robber who falls for a branch manager (Rebecca Hall) his gang took hostage on their last job.
“In ‘Company Men,’ we’re going down the economic ladder, and in ‘The Town,’ we’re trying to steal our way up,” Affleck said.
Affleck deliberately chose not to act in his directing debut, “Gone Baby Gone.” With “The Town,” he joked that at least he knew the director and star would not clash.
“There was a lot of harmony between the director and the lead actor on this movie,” Affleck said. “I knew as a director that I would always be on time, I would always be cooperative, and our tastes would always be in sync.”
Affleck pal Damon narrates Charles Ferguson’s documentary “Inside Job,” a sweeping chronicle of the 2008 economic crisis.
Amid that crisis, Stone and Douglas unleash Gekko for their “Wall Street” sequel.
Estranged from his daughter (Mulligan), Gekko ingratiates himself with her fiance (Shia LaBeouf), a young investment whiz who falls under his future father-in-law’s spell.
LaBeouf said today’s climate as depicted in “Wall Street: Money Never Sleeps” makes 1980 s Gekko-style greed look like child’s play.
“We’re living in the epitome of greed now more so than ever,” LaBeouf said. “Greed where you have people with absolutely no scruples, and you’re dealing with money on a totally different level. … These are hustlers who could sell water to a whale. It’s cutthroat in a different way. It’s a totally different business now.”

Thursday, August 12, 2010

The Expendables - Review



Once he'd gathered his impressive cast, Syvester Stallone didn't have to do too much to please the audience that would flock to The Expendables. It was meant to be a B-movie at best, a collection of over-muscled actors and expensive explosions in some cheap and exotic location that, when you squint, could pass for the jungles of Rambo II. But the beauty of good B-movies was always that they were efficient, putting together a tight plot that included as many action scenes as possible and never bothered with actor egos or, well, acting. The Expendables, though, is a bloated mess, a bunch of guys past their prime punching and kicking each other and pretending its for our benefit, when its really just one last self-congratulatory hurrah.

The movie starts exactly as absurdly and violently as you hope, as the mercenary team consisting of Stallone, Jet Li, Dolph Lundgren, Jason Statham and Terry Crews rescue some hostages from Somali pirates and blow up a lot of skulls. But the warning signs are there even then-- we spent forever on the boat before we understand what's going on, and Stallone and Lundgren get into an argument so awkwardly placed that you just know it's there to set up some third-act conflict. Things slow down for a while so the guys can shoot the shit at a bar owned by Mickey Rourke (going by the astonishing character name Tool), while on an unnamed Caribbean island, Eric Roberts is a slimy American convincing a dictator to whore out his people for economic gain. Someone's gotta stop this guy… but who can they call?

It's hilarious when Bruce Willis shows up as the guy to give the assignment, and doubly so when Arnold Schwarzenegger pops by as potential competition who hates Stallone's guts, but from there the self-referential fun largely gives way to the slog of a predictable action movie, full of incoherent action and groaner lines that remind you why the 80s action classics didn't seem as awesome once you passed puberty. Stallone has an eye for spectacle and stages some truly insane set pieces-- a dock explosion and Statham shooting bullets from the top of a seaplane comes about 30 minutes in, and it's fantastic-- but not only does none of it fit into a coherent story, but you've got no reason beyond nostalgia to care about this group of self-satisfied roughnecks and their desire to track down a criminal, even one as sleazy as Eric Roberts (who is probably the film's acting MVP, though that doesn't say much).





The giant list of beefy male names is the major draw of The Expendables, but it's also what kills it. A movie about Stallone and Statham's lead characters kicking ass and taking names in a foreign country might have gone somewhere, but the movie is utterly overstuffed, making room for a Lundgren vs Li fight scene, an entire subplot about Randy Couture's cauliflower ear, and worst of all, a 10-minute Mickey Rourke monologue in which he looks mournfully into a mirror, makes up an absurd story about his heartbreak on a previous mission, and silently cries. All of these will make for hilarious YouTube clips in the coming months, but they're frustrating to watch in context as a movie with actual potential constantly kneecaps itself because the director and the cast had no idea when to give it a rest.

Is The Expendables the manliest movie of the summer? Probably-- it is ridiculously violent, fetishizes male strength without being too homoerotic, and treats women as pure, perfect beings who exist to be rescued. That kind of old-school machismo is missing from most modern action movies, and fans of old-school Stallone and Lundgren and company will likely flock to the Expendables with their bros, ready to watch the blood and guts fly. But if you were old enough to love Rambo III un-ironically the first time around, you're way too old now to be fooled by the dull and desperate Expendables.

Tuesday, August 10, 2010

The Job (2010)



Plot: BUBBA BRADY (Patrick Flueger) lives in a dying industrial town where opportunity has dried up like prairie grass. What keeps him afloat is the promise of JOY (Taryn Manning), Bubba’s reason-for-being, a fragile former child actress. Bubba meets JIM (Ron Perlman), a drifter who never stays anywhere longer than 72 hours, and his luck seems to change. In exchange for Bubba’s offer of a parking spot for his jalopy, Jim gives him a lead on local employment office, a tip he got from a guy whose tire he helped fix. There, the agency guy, PERRIMAN (Joey Pantoliano) offers him a job on the spot. But the job is not all that it appears. Though the opportunity is real, Bubba will have to learn if he has the killer instincts to do what it requires. ‘The Job’ is a funny, frightening vision of a world not so far from our own.

Screenshot:


Saturday, August 7, 2010

Jonah Hex (2010)



The fact that we have a Jonah Hex film proves that DC wasn’t just talking out its ass when they said that they were focused on bringing some of its lesser known comic franchises to the big screen, although after one Superman film and two Batman flicks, the other in-production releases Aquaman and The Green Arrow are M.I.A. I figure that, aside from the comic’s cult audiences, most filmgoers will be like me; familiar with the character of Jonah Hex only through the plethora of knockoffs and parodies that came through popular culture during the 90’s. There’s something timeless about a cowboy with only half of his face on a quest for revenge, and I guess others were quick to jump on that idea.

The film takes place in the last few days of or immediately following the Civil War. After fighting in the war itself for an indeterminate amount of time, the man we come to know as Jonah Hex (Josh Brolin) deserts to settle down with an Indian woman he fell in love with. Together with their young son, they live in a quiet cabin in the wilderness for many years, though in the end it was not meant to be. The Hex homestead is attacked one night by a brigand of Confederate war criminals, and burned to the ground with Jonah’s wife and child trapped inside. After undergoing torture at the hands of the ruthless war criminals that leaves him permanently scarred, he is left for dead, only to be found by a party of Indians who were drawn by the blaze.magic to heal him and power his thirst for vengeance. Recharged, he returns with a mean streak a mile wide and the ability to talk to the dead. He enjoys some success as a bounty hunter before the government finally catches up to him and makes him an offer he can’t refuse: It seems the very same war criminals that destroyed his family have their sights set on a superweapon, and it’s up to Jonah to prevent them from using it to tear the fragile Union apart again.

While in production, the film billed itself as a supernatural romp. The bad guy (John Malkovich) was supposed to be some sort of big bad voodoo daddy who wanted to raise an army of the dead to bolster confederate forces. As you can see, the story in the final product is totally different, which probably explains the 11th hour re-shootings the filmmaker demanded before giving any copies to the theaters. Personally, I feel the original tale would have been better suited to a character like Jonah Hex, because the rest of this movie feels pretty forced. He’s a clever gunslinger and a skilled fighter, but the film hardly gives him a chance to explore his supernatural abilities, which he seems to use only to gain information from the dead.  Other scenes in the film feature unexplained elements, such as the monster fight in the circus. You want to know more about what those creatures are doing there, but Jonah himself seems to tell you that the director says there’s not enough time; he doesn’t even fight them.

The overall pacing of the film is horrible. It starts off well, but after the rousing introductory montage and the movie’s first real gun battle, the film seems to ramble, not quite knowing what to do with itself.  I’m still not sure where Jonah’s prostitute friend (Megan Fox) comes in at. I think she’s some kind of informant. The director shot two different versions of the fight between Jonah and the big bad, and for some reason, seemed dead set on using them both, playing a simultaneous “dream sequence” fight along with the “real” one on board the superweapon, for reasons unexplained. You begin to see why reshooting a film at the last minute is not a good idea.

On the bright side, the players themselves all look pretty good.

Jonah looks great, though they could’ve made him uglier. Nice period style clothes and makeup. The acting really shines from some people (Michael Fassbender), though others are a bit lackluster, but still believable in their characters. And was it just me, or did the film credits say the music was provided by Mastodon? Those guys are a heavy-approaching-death metal melodic outfit, and I heard nothing like that throughout the course of the film.

In conclusion, this film had some good ideas. But absolutely fantastic ideas aren’t going to save your skin if you suffer from poor execution, which is exactly what happened to this film. Ultimately, Jonah Hex will go on the shelf somewhere in between “Hellboy” and “Dragonball: Evolution”, which is a shame given the effort that was put into this film.

Screenshot:

http://rapidshare.com/files/411401851/WarezXtremE.org_J.Hex.2010.CAM.XviD.V2.TA.avi.part1.rar
http://rapidshare.com/files/411401822/WarezXtremE.org_J.Hex.2010.CAM.XviD.V2.TA.avi.part2.rar
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Monday, July 26, 2010

Red Band Movie Trailer: Machete

machete3


A couple months back, we got a sneak preview of Robert Rodriguez’s Machete thanks to an a special “illegal” movie trailer released online for Cinco De Mayo. The real movie trailer was attached to the Rober Rodriguez-produced Predators (watch it now). At Comic-Con, Rodriguez released a new Red Band movie trailer. Watch the trailer now below.

Rodriguez wrote the script and co-directed the movie with his longtime editor Ethan Maniquis. The action/exploitation film follows Danny Trejo as a badass Mexican out to mess with The Man. “An ex-Federale with a gift for wielding a blade, who hides out as a day laborer, who is double-crossed by a corrupt state senator.” Robert De Niro, Steven Seagal, Don Johnson, Jessica Alba, Cheech Marin, Michelle Rodriguez, Lindsay Lohan, and Jeff Fahey co-star.

Wednesday, July 21, 2010

Faster (2010) Preview



 It will be up to director George Tillman Jr. to cast The Rock in a hardcore light following a series of movies that let fans see a ‘softer side’. George Tillman doesn’t have much in his resume related to blockbuster movies, but the newly released “Faster” trailer has shown audiences that Dwayne Johnson hasn’t lost a step and looks primed to recapture the essence of what made him such a standout in movies such as The Mummy Returns and The Scorpion King.

“Faster”, produced by CBS Films, is about an ex-con (Dwayne Johnson) set out to avenge his brother’s death after they were double-crossed during a heist. During his campaign, he’s tracked by a veteran cop and an egocentric hit man (played by Billt Bob Thornton).
Besides a strong tandem of Dwayne Johnson and Billy Bob Thornton, “Faster” also casts Jennifer Carpenter, who recently came to prominence following her role in hit TV series “Dexter”.
The “Faster” movie release date is set at November 24 2010, and one quick look at the “Faster” preview trailer gives fans a good idea of what the rock is cooking.

Saturday, July 17, 2010

Ong Bak 3 Review


 

INFO:
IMDB Rating: 4.3/10 (58 votes)
Directors: Tony Jaa, Panna Rittikrai
Writers: Tony Jaa, Panna Rittikrai

Summary:
Ong Bak 3 picks up where Ong Bak 2 had left off. Tien is captured and almost beaten to death before...

PLOT:
Going into the early screening of Ong Bak: 3, I couldn't help but wonder how in the world Jaa and crew were going to outdo their previous entry which nary contained a scene without bone-snapping brutality. Hell, even its finale was a literal twenty minute bout between Jaa and a multitude of attackers. Where Ong Bak: 1 was an introduction to the powerhouse that was/is Tony Jaa, the second installment was the stylish pinnacle which took every aspect of his martial arts to new flair-filled heights. So it's understandable that expectations would (and should) be high for this concluding segment of the Ong Bak mythos. Sadly, this third and final addition to the series falls flat on its white-belt ass by avoiding what audiences are clamoring to see and instead, focuses (and fails) on what no one truly cared for in the first place.

The story (if you can call it that), is a continuation of the events of Ong Bak: 2. After the ridiculous ending of the second film, things pick up in the third as Tien (Jaa) is repeatedly beaten to a pulp by the evil emperor and his men. Practically dead, he's revived only to come back from the ethereal plain an emotionally and physically ruined individual. Frustrated and in pain, Tien must fight his own personal demons so that he may fight once more--for his people; for his lady-love. That's the simple explanation. If I were to go into more detail about the oh-so broken narrative I'd probably give myself an aneurism. On the storytelling front, this movie is a piece of garbage. Fifteen minutes in, it becomes such a convoluted tale of self-redemption, magic, seizure-inducing flashes, dreams, dancing, lightning bolts, crows, and elephants that there is practically no way to actually discern what the hell is going on. Herein lies the flick's biggest pitfall. In an attempt at sloppy narrative, Jaa (who again directed) compromises the best thing this series had going for it: the action. For the most part, this feels like a self-fulfilling flick--I'm talking M. Night Shyamalan fulfillment, people. Jaa would rather observe the inner trials and tribulations of Bak's central character than watch him kick ass. These segments are so over-dramatized that it appears as though Jaa was going for an Oscar for his performance, rather than a serious workout tossin' baddies left and right. Seriously, this film contains so many training montages that the entertainment factor is nearly killed halfway through. Instead of an onslaught of jump-kicks and knee slams we get dancing. Instead of a constant stream of palm-hits and punches, we get cheesy black smog that goes in and out of people's noses. Instead of truly unique and creative sequences of awesome, we get elephants which pull massive statues--through the air!!! Like a f*cking baseball!!! And don't even get me started on the cop out "rewind" scene, or Jaa's ability to toss lightning bolts from the sky and give sleep-inducing headaches to evil-doers. I'd greatly appreciate a thorough explanation if anyone's got one. Anybody? No?

And as for them action bits...

Well, when they do crop up, they somewhat entertain. The immediacy of the violence during the film's introduction is just groovy, but once over, is paced very poorly. Long stretches of nothing-in-particular cloud the film and cause viewer's eyes to be weighed down rather than drying out from how wide with surprise they should be. Some moments allowed a smile to crest my face while others elicited a brief man-giggle of excitement. But these were few and far between. When my favorite part was a five-second utilization of a bamboo shoot as a weapon--you know there's a problem. And I just have to say that the film's climax (aside from an issue already hinted at above), is just pathetic when considering what was again accomplished with the finale of Ong Bak: 2.

Apparently the filmmakers really wanted this denouement to crash and burn because the movie also falters horribly in the technical department. Poorly rendered effects are littered throughout, editing is disjointed, improper long-shots are chosen to depict scenes, blurred images, out of focus shots, and one of the most unintentionally hilarious repeated zooms in cinematic history make this film hard to appreciate even by die-hard, patronizing fans.

Taking into consideration that this was a market premiere, there is still time before a wide release for this film's issues to be smoothed out--mainly in that of the technical department. As for the version I witnessed, however, it was a complete and utter mess , whose audience couldn't stop laughing after the first thirty minutes. Here's holding out for a possible "Ong Bak 4: The Apology".

Screenshot:
 


Download:
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Tuesday, July 13, 2010

Assassin's Creed 2

 


Name: Assassin Creed II
Release Date: 21/04/10
Video Format: ISO
Size: 6.4 GB
Language: English
Year: 2010
Genre: Action / 3D / 3rd Person / Stealth
Developer: Ubisoft
Publisher: Ubisoft Montreal
Platform: PC
Game Info

Assassin's Creed 2 - sequel to the successful ekshena about the murderer. This time  the action takes place in Italy, in 1476. Playing for a nobleman from Florence,you will be asked to perform various tasks. The main character can now swim. In the arsenal you'll find: an ax, hammer, mace, spear, 2 different swords, halberds and 2 small blade. But the enemies in Assassins Creed 2 is also not born yesterday.
           Archers, heavy infantry with heavy armor and two-handed swords or axes, halberdier and other soldiers will be a serious obstacle for assignments. In total, the game will be 16 types of unique types of jobs, excluding any elementarschinu such as
pickpocketing and eavesdropping. In addition to real places in Assassins Creed 2 contains historical characters: Machiavelli, Caterina Sforza, Lorenzo de 'Medici.Combining various hidden objects, you can get interesting bonuses and achievements.
Game Features

Ezio, a new Assassin for a new era. The young Italian aristocrat seeking revenge;- The magnificence of the Italian Renaissance. Journey to the most beautiful cities of the world at a time when the highest product of culture and art were born on the background of the flourishing corruption, insatiable greed and multiple murders; - A new degree of freedom. Open World, which along with the full freedom of ovement
of appearance of such new features as swimming and even flying;- Dynamic crowd. Discover the living, breathing world where every character is a player for these or other opportunities;
- Become a professional secret killer. Improve your skills, learn to deftly handle the various swords and rapiers, secretly move, disarm enemies and use their own weapons against them, striking the enemy, using hidden blades and deadly poisons.
System Requirements


Minimum System Requirements:
SUPPORTED OS: Windows XP (32-64 bits) / Windows Vista (32-64 bits) / Windows 7 (32-64 bits)
Processor: Intel Core 2 Duo 1.8 GHz or AMD Athlon X2 64 2.4 GHz
RAM: 1.5 GB Windows XP / 2 GB Windows Vista รข€“ Windows 7
Video Card: 256 MB DirectX 9.0-compliant card with Shader Model 3.0 or higher
Sound Card: DirectX 9.0 -compliant sound card
DirectX Version: DirectX 9.0
DVD-ROM: DVD-ROM dual-layer drive
Hard Drive Space: 8 GB
Processor: Intel Core 2 Duo E6700 2.6 GHz or AMD Athlon 64 X2 6000+ or better
Video Card: GeForce 8800 GT or ATI Radeon HD 4700 or better
Sound: 5.1 sound card
Peripherals: Keyboard, mouse, joystick optional (Xbox 360 Controller for Windows recommended

What's new in this copy ?

- Full Game nothing removed compressed in 2.77GB .
- Cracked and updated (SKIDROW)
- 2 Trainers ready 4 ply Very Happy ..
- Backup folder contains (DirectX ..etc )
- Easy installer for both 32 and 64 (tested)
- videos compressed 50% and 100% (attached)
SCREENSHOT

 DOWNLOAD LINKS

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Ballistica (2010)


INFO :
Director:Gary Jones
Writer:Tony Kandah (story)Sean Rourke (screenplay)
Genre:Action

Cast
(Credited cast)
Jason Ancona ... CIA Agent
Lori Bender ... CIA Agent
Robert Davi ... Macarthur
Andrew Divoff ... Dragomir
Thomas Downey ... D.O.C.
Max Glotov ... CIA Analyst #2
Elle Goodman ... Damian's Wife
G.B. Jones ... Steckler the Alley Thug
Farah Kandah ... Kevin
Hazuki Kato ... Yei Fei
Lauren Mary Kim ... Fang
Jesse Kove ... CIA Agent
Martin Kove ... Riley
James Lew
Paul Logan ... Damian
Mara Marini ... Veronica
Jeffrey Miller ... CIA Agent
Mark Morris ... Mr. Wilson
Anna Maria Panici ... Tatiana
Mark Phelan ... Vladislav
Simon Rhee
Katie Ryan ... Paige (as Katie Taylor)
Sam Sabbagh ... Russian Terrorist
Sam Saliba ... CIA Analyst #1
Shannon Sauceda ... CIA Secretary
Adam Smith ... CIA Agent
C.B. Spencer ... Alexa
Vera Vanguard ... CIA Agent

A man has been trained in a deadly form of hand-to-hand combat using ballistics and firearms. He is one of the few Americans who has perfected it, which makes him the CIA's best weapon against International Terrorism.
 
Screenshot:
 

Download :

Hotfile:
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Monday, July 12, 2010

Thursday, July 1, 2010

The Karate Kid (2010)

12-year-old Dre Parker could've been the most popular kid in Detroit, but his mother's latest career move has landed him in China. Dre immediately falls for his classmate Mei Ying - and the feeling is mutual - but cultural differences make such a friendship impossible. Even worse, Dre's feelings make an enemy of the class bully, Cheng. In the land of kung fu, Dre knows only a little karate, and Cheng puts "the karate kid" on the floor with ease. With no friends in a strange land, Dre has nowhere to turn but maintenance man Mr. Han, who is secretly a master of kung fu. As Han teaches Dre that kung fu is not about punches and parries, but maturity and calm, Dre realizes that facing down the bullies will be the fight of his life.

 [TITLE]…………………….[ The Karate Kid
[DIRECTOR]………………….[ Harald Zwart
[RELEASE DATE]………………[ 11 June 2010 (USA)
[FORMAT]:…………………..[ Matroska (MKV)
[GENRE]:……………………[ Action | Drama | Family | Sport
[NO OF CDs]…………………[ 1
[FILE SIZE]:………………..[ 400MB
[RESOLUTION]:……………….[ 624x256
[LANGUAGE ]:………………..[ English
[SUBTITLES]:………………..[ N/A
[ORIGINAL RUNTIME]:………….[ 02:13:55
[RELEASE RUNTIME]:…………..[ 02:13:55
[SOURCE]:…………………..[ The Karate Kid (2010) CAM XviD-PrisM
[iMDB RATING]:………………[ 5.3/10

 Screenshot






Tuesday, June 29, 2010

The A-Team (2010)

Synopsis of this film:
A group of Iraq War veterans looks to clear their name with the U.S. military, who suspect the four men of committing a crime for which they were framed.

TITLE].........................[ The A-Team
[DIRECTOR]......................[ Joe Carnahan
[RELEASE DATE]..................[ 11 June 2010 (USA)
[FORMAT]:.......................[ Matroska (MKV)
[GENRE]:........................[ Action | Adventure | Thriller
[NO OF CDs].....................[ 1
[FILE SIZE]:....................[ 400MB
[RESOLUTION]:...................[ 720x288
[LANGUAGE ]:....................[ English
[SUBTITLES]:....................[ N/A ;-)
[ORIGINAL RUNTIME]:.............[ 01:50:58
[RELEASE RUNTIME]:..............[ 01:50:58
[ENCODER]:......................[ ShAaNiG
[SOURCE]:.......................[ The A-Team 2010 V2 TS XViD-PrisM


Screenshots

Do not miss the opportunity to watch this great story.











Prince Of Persia The Sands Of Time (2010)

Synopsis of the film:
Plot: Based on the video game, which follows an adventurous prince who teams up with a rival princess to stop an angry ruler from unleashing a sandstorm that could destroy the world.

Genre........: Action | Adventure | Fantasy




Film Prince Of Persia The Sands Of Time is laden with breathtaking action.
Happy viewing.

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